- Greek Archaeology, Cultural Heritage Conservation, Spolia, Roman Marble trade and distribution, Roman Necropolis, MUSEO, and 45 moreOstia, Salerno, Capua, Sorrento, Monumenti funerari, Abella, Imago Cliipeata, Lucio Sitrio Modesto, Avella, Rilievi Con Scene Di Imbarcazione, Bronzo Apollo, Conocchia, Sant'Agata dei Goti, Torcularia, CAMPANO, Late Antiquity, Byzantine Archaeology, Pompeii (Archaeology), Saints' Cults, Roman Sculpture, Venice, Romanesque Sculpture, Tombs (Medieval Studies), Mediaeval Cult of Relics and Saints, Aquileia, Ancient Greek and Roman Theatre, Vesuvius, Venezia, Feltre, Neapolis, Roman Art, Byzantine Studies, Ducato Bizantino Di Napoli, Medieval Sculpture, Roman Archaeology, Pier Leone Ghezzi, Architecture in Italian Renaissance and Baroque Art, Storia delle tecniche costruttive, Tecniche costruttive romane, Deutsches Archäologisches Institut, Pirro Ligorio, Pompeii and Herculaneum, Pompeii, Roman Domestic Space, Pompeii (Archaeology), Ville Vesuviane, Pompeii and Herculaneum, and Athena Parthenosedit
- Angela Palmentieri’s research interests cross the boundaries between classics archaeology, history of architecture, a... moreAngela Palmentieri’s research interests cross the boundaries between classics archaeology, history of architecture, and art history, and include reuse Late Antiquity, the display of spolia in the Middle Ages and in the Renaissance in Campania, Basilicata and Sicily, the study of ancient drawings of Ligorio, Cassiano dal Pozzo, Paoli and French designers of Grand Tour. In Campania she discovered several sarcophagi (not included in the corpus) made by local workshops. She has identified and discussed one important porphyry fragment of sarcophagus of Hadrian Age (the tomb of Emperor Hadrian in Mausoleum in Puteoli stadium?) reused in Salerno Dom. She completed her studies at Munich University and Berlin DAI. She collaborate as advisor in Italy (University of Naples) in the Department of Humanistic Studies in interdisciplinary courses on the analysis and interpretation of Roman material of reuse and in workshops concerning the interrelated fields of Roman architecture and Archaology protection. She is following the works of some young undergraduates about the sarcophagi of the Archaeological Museum of Naples and the tombs of Augustan Age of Naples and Campanian region.edit
in L’immagine della città moderna L’immagine della città, la città delle immagini, Atti del Convegno Internazionale, Bari 15-19 giugno 2016, 11. Theatroeideis vol. 3. eds. Belli Pasqua R. Caliò L.M. Livadiotti M. Martines G.... more
in L’immagine della città moderna L’immagine della città, la città delle immagini, Atti del Convegno Internazionale, Bari 15-19 giugno 2016, 11. Theatroeideis vol. 3.
eds. Belli Pasqua R. Caliò L.M. Livadiotti M. Martines G.
Collana/Rivista: Thiasos Monografie
Isbn: 978-88-7140-905-4
Edizioni Quasar 2018 pp. 15-39
This paper analyses the role of Roman Imperial marble collection of Pappacoda Chapel, Diomede Carafa Palace, the Arch of Saint Eligius Major in Naples. It consists of many masterpieces, fortunately preserved in original state and in unusual architectural context. The author propose a study of archaeological profile of
Roman spolia employed between the beginning and the end of the Fifteenth century. The elements were chosen with an erudite interlacement of encomiastic nature by the owners: Artusio Pappacoda, Diomede Carafa and Aragonese King. The research is divided in two layers: the first reflects the archaeological analysis of marble
sculptures; the second relates the relationship between the reuse of the Ancient and the revival of architecture of Roman and Svevian type in Naples.
eds. Belli Pasqua R. Caliò L.M. Livadiotti M. Martines G.
Collana/Rivista: Thiasos Monografie
Isbn: 978-88-7140-905-4
Edizioni Quasar 2018 pp. 15-39
This paper analyses the role of Roman Imperial marble collection of Pappacoda Chapel, Diomede Carafa Palace, the Arch of Saint Eligius Major in Naples. It consists of many masterpieces, fortunately preserved in original state and in unusual architectural context. The author propose a study of archaeological profile of
Roman spolia employed between the beginning and the end of the Fifteenth century. The elements were chosen with an erudite interlacement of encomiastic nature by the owners: Artusio Pappacoda, Diomede Carafa and Aragonese King. The research is divided in two layers: the first reflects the archaeological analysis of marble
sculptures; the second relates the relationship between the reuse of the Ancient and the revival of architecture of Roman and Svevian type in Naples.
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in La Lucanie entre deux mers (dir. O. de Cazanove et A. Duplouy), che sarà pubblicato dalle «éditions du Centre Jean Bérard» Napoli, pp. 47-61
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NAPOLI NOBILISSIMA RIVISTA DI ARTI, FILOLOGIA E STORIA, SETTIMA SERIE, VOLUME III FASCICOLO I , GENNAIO - APRILE 2017, 2018, pp. 20-34 Reutilized Antiquities in Salerno in the Drawings of Foreign Travelers in the Nineteenth Century. The... more
NAPOLI NOBILISSIMA RIVISTA DI ARTI, FILOLOGIA E STORIA, SETTIMA SERIE, VOLUME III FASCICOLO I , GENNAIO - APRILE 2017, 2018, pp. 20-34
Reutilized Antiquities in Salerno in the Drawings of Foreign Travelers in the Nineteenth Century. The reutilization of pieces from antiquity in the cathedral of Salerno was a favorite subject of interest and study by artists and antiquarians from about 1750 into the early decades of the nineteenth century. The eighteenth-century antiquarian tradition, represented by Abbot Jean-Claude Richard de Saint-Non and Canon
Paolo Antonio Paoli, gave way in the nineteenth century to a more emotional involvement with antiquity in visitors traveling through Campania Felix, that emerges most clearly in albums containing personal memories.
A perfect example is the drawings of sarcofagi in the cathedral done by the French architect François Debret during his stay in Salerno between 1806 and 1807, and others by Aubin-Louis Millin when he stopped there
in 1811, and by pensionnaires Guillaume Abel Blouet, Jean-Baptiste Cicéron Lesueur, and Felix Duban who visited between 1823 and 1826. A note preliminary to the present study deals with documents archived in the National Museum in Naples which, together with the writings of early visitors, bear witness to the renown of reutilized antiquities in Salerno between 1807 and 1826.
Reutilized Antiquities in Salerno in the Drawings of Foreign Travelers in the Nineteenth Century. The reutilization of pieces from antiquity in the cathedral of Salerno was a favorite subject of interest and study by artists and antiquarians from about 1750 into the early decades of the nineteenth century. The eighteenth-century antiquarian tradition, represented by Abbot Jean-Claude Richard de Saint-Non and Canon
Paolo Antonio Paoli, gave way in the nineteenth century to a more emotional involvement with antiquity in visitors traveling through Campania Felix, that emerges most clearly in albums containing personal memories.
A perfect example is the drawings of sarcofagi in the cathedral done by the French architect François Debret during his stay in Salerno between 1806 and 1807, and others by Aubin-Louis Millin when he stopped there
in 1811, and by pensionnaires Guillaume Abel Blouet, Jean-Baptiste Cicéron Lesueur, and Felix Duban who visited between 1823 and 1826. A note preliminary to the present study deals with documents archived in the National Museum in Naples which, together with the writings of early visitors, bear witness to the renown of reutilized antiquities in Salerno between 1807 and 1826.
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in La città, il viaggio, il turismo Percezione, produzione e trasformazione, a cura di Gemma Belli, Francesca Capano, Maria Ines Pascariello, CIRICE - Centro Interdipartimentale di Ricerca sull’Iconografia della Città Europea, sezione... more
in La città, il viaggio, il turismo Percezione, produzione e trasformazione, a cura di Gemma Belli, Francesca Capano, Maria Ines Pascariello, CIRICE - Centro Interdipartimentale di Ricerca sull’Iconografia della Città Europea, sezione 9.II | Viaggio e conoscenza: lo sguardo sulle città, sui territori, sul paesaggio Antonio Brucculeri, Cristina Cuneo, pp. 783-789 © 2017 by CIRICE ISBN 978-88-99930-02-8
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In Rileggere Pompei, V. L'insula 7 della Regio IX, (STUDI E RICERCHE DEL PARCO ARCHEOLOGICO DI POMPEI), eds. F. Pesando, M. Giglio, Roma 2017, pp. 213-234 In questo contributo si propone una riflessione sull'apparato figurativo di alcune... more
In Rileggere Pompei, V. L'insula 7 della Regio IX, (STUDI E RICERCHE DEL PARCO ARCHEOLOGICO DI POMPEI), eds. F. Pesando, M. Giglio, Roma 2017, pp. 213-234
In questo contributo si propone una riflessione sull'apparato figurativo di alcune dimore dell'Insula 7, materiale in parte edito, e su cui si propongono nuove considerazioni utili a inquadrare il problema della circolazione dei temi e dei sistemi decorativi scultorei nel centro vesuviano.
In questo contributo si propone una riflessione sull'apparato figurativo di alcune dimore dell'Insula 7, materiale in parte edito, e su cui si propongono nuove considerazioni utili a inquadrare il problema della circolazione dei temi e dei sistemi decorativi scultorei nel centro vesuviano.
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Pise de la peste noire à la conquête florentine (1348-1406). Nouvelles orientations pour l’histoire d’une société en crise – Varia – Atelier doctoral : les réemplois en architecture, entre Antiquité et Moyen Âge, in MEFRM 129-1 | 2017 :... more
Pise de la peste noire à la conquête florentine (1348-1406). Nouvelles orientations pour l’histoire d’une société en crise – Varia – Atelier doctoral : les réemplois en architecture, entre Antiquité et Moyen Âge, in MEFRM 129-1 | 2017 : pp. 209-227
This work analyze the theme of reuse in Medieval architecture through two types of sources: reused marbles in the Medieval centers of southern Campania and the journey memories of the French architects of the Nineteenth century. The classical antiquities of Salerno and Amalfi come from the ruins of Lazio and Campi Flegrei, later from Paestum. A significant role had the ancient drawings of the French architects to define these origins.
This work analyze the theme of reuse in Medieval architecture through two types of sources: reused marbles in the Medieval centers of southern Campania and the journey memories of the French architects of the Nineteenth century. The classical antiquities of Salerno and Amalfi come from the ruins of Lazio and Campi Flegrei, later from Paestum. A significant role had the ancient drawings of the French architects to define these origins.
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in Puteoli. Studi di storia e archeologia dei Campi Flegrei (a cura di) G. Camodeca, M. Giglio, Napoli 2016, p. 297-317 ISBN 978-88-6719-136-9
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in: Iconographie du quotidien dans l'art provincial romain, eds. Sabine LEFEBVRE dir. avec la coll. d’Arianna ESPOSITO, Laurent POPOVITCH, Simone DEYTS, Christian VERNOU, Fabienne CREUZENET et Élisabeth RABEISEN, Iconographie du... more
in: Iconographie du quotidien dans l'art provincial romain, eds. Sabine LEFEBVRE dir. avec la coll. d’Arianna ESPOSITO, Laurent POPOVITCH, Simone DEYTS, Christian VERNOU, Fabienne CREUZENET et Élisabeth RABEISEN, Iconographie du quotidien dans l’art provincial romain : modèles régionaux, Actes du XIVème colloque international d’Art provincial romain, Dijon, 1er-6 juin 2015 44ème supplément à la Revue Archéologique de l’Est, 2017, p. 271-284 - ISBN : 978-2-915544-38-1 (ISSN : 1773-6773).
Résumé: l'objective de cet article est de fournir une réflexion archéologique sur les choix du défunt de deux batiments funéraires d'Aeclanum et d'Abella, en Campanie. L'étude de la décoration architecturale funéraire a été centrée sur les questions de chronologie et de typologie. La recherche des réseaux de diffusion et de réception des thèmes hellénistiques au plan régional continue d'etre la question privilégiée de notre enquete. L'analyse de la décoration suggère que les choix des clients ne sont pas estétiques. L'examen du répertoire décoratif a permis de cerner l'activité d'un réseau d'ateliers locaux bien répartis sur le territoire, capables de traiter avec des clients d'origine differente. L'utilisation de certains motifs doit etre rapportée à la célébration des vertus du défunt, en relation avec la culture politique et les modèles diffusés à partir du triomphe d'Auguste.
Résumé: l'objective de cet article est de fournir une réflexion archéologique sur les choix du défunt de deux batiments funéraires d'Aeclanum et d'Abella, en Campanie. L'étude de la décoration architecturale funéraire a été centrée sur les questions de chronologie et de typologie. La recherche des réseaux de diffusion et de réception des thèmes hellénistiques au plan régional continue d'etre la question privilégiée de notre enquete. L'analyse de la décoration suggère que les choix des clients ne sont pas estétiques. L'examen du répertoire décoratif a permis de cerner l'activité d'un réseau d'ateliers locaux bien répartis sur le territoire, capables de traiter avec des clients d'origine differente. L'utilisation de certains motifs doit etre rapportée à la célébration des vertus du défunt, en relation avec la culture politique et les modèles diffusés à partir du triomphe d'Auguste.
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in AION Annali di Archeologia e Storia antica, n.s. 19-20, 2012-2013 (2016), pp. 243-270
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The aim of research concerns the erroneous attribution of a series of reused theatrical masks to the amphitheater of Capua. The option that this series belongs to the Roman theater of Capua is conducted on the basis of comparisons with... more
The aim of research concerns the erroneous attribution of a series of reused theatrical masks to the amphitheater of Capua. The option that this series belongs to the Roman theater of Capua is conducted on the basis of comparisons with other specimens of Lazio and Campania made by the workshops of Hadrian Age.
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in MITTEILUNGEN DES DEUTSCHEN ARCHAEOLOGISCHEN INSTITUTS. ROEMISCHE ABTEILUNG, 119, 2013, 169-199 Abstract: A well-known group of Roman sarcophagi was produced between the early Augustan period and the 1st century AD. Alongside these... more
in MITTEILUNGEN DES DEUTSCHEN ARCHAEOLOGISCHEN INSTITUTS. ROEMISCHE ABTEILUNG, 119, 2013, 169-199
Abstract: A well-known group of Roman sarcophagi was produced between the early Augustan period and the 1st century AD. Alongside these famous sarcophagi, it is important to consider other marble tombs originating in Campania, in locations such as Amalfi, Torre del Garigliano, Teano, San Leucio di Caserta, and Salerno. These new testimonies suggest that urban workshops employed Greek models when making their marble sarcophagi in the 1st century AD. This work of research serves as an extension to the previous state of scholarship, and an attempt to fill the gap in our knowledge about this region.
Keywords: Early Imperial sarcophagi, Campania, Greek sarcophagi, polychrome marble, classical spolia"
Abstract: A well-known group of Roman sarcophagi was produced between the early Augustan period and the 1st century AD. Alongside these famous sarcophagi, it is important to consider other marble tombs originating in Campania, in locations such as Amalfi, Torre del Garigliano, Teano, San Leucio di Caserta, and Salerno. These new testimonies suggest that urban workshops employed Greek models when making their marble sarcophagi in the 1st century AD. This work of research serves as an extension to the previous state of scholarship, and an attempt to fill the gap in our knowledge about this region.
Keywords: Early Imperial sarcophagi, Campania, Greek sarcophagi, polychrome marble, classical spolia"
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This contribution aims a specific study about the uses of Roman spolia, marble sculptures and architectural elements, in Christian churches of Naples and the importance of reuse of antiquity of the Angevin and Swabian periods.
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"In the past it has been wrongly thought that the antique material re-used in Medieval churches in Sant'Agata dei Goti implied that Roman monuments had survived in that town from Saticula, an Oscan center known thanks to the historian... more
"In the past it has been wrongly thought that the antique material re-used in Medieval churches in Sant'Agata dei Goti implied that Roman monuments had survived in that town from Saticula, an Oscan center known thanks to the historian Titus Livius and lately identified as having been located in a low-lying valley area nearby.
The tendency to associate the colony with these antiquities is due to an eighteenth-century enthusiasm for archeological discoveries,attested by a rich correspondence by members of the Raimone family, part of which we propose to analyze. The purpose of our research is to systematically study these spolia in order to learn how objects were procured from the ruins of nearby centers treated as little more than quarries for building materials. At the same time, we want to reflect on how antiquity was used by the Middle Ages to pass down memory and identity.
"
The tendency to associate the colony with these antiquities is due to an eighteenth-century enthusiasm for archeological discoveries,attested by a rich correspondence by members of the Raimone family, part of which we propose to analyze. The purpose of our research is to systematically study these spolia in order to learn how objects were procured from the ruins of nearby centers treated as little more than quarries for building materials. At the same time, we want to reflect on how antiquity was used by the Middle Ages to pass down memory and identity.
"
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In: Reti della cultura In margine al Convegno Internazionale «Servizi e contenuti digitali. Gli elementi base della società della Conoscenza», Pozzuoli 2010, pp. 85-110,
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In keeping with modern research, this contribution analyses the production of sarcophagi in imperial times in Beneventum. In spite of the presence of sarcophagi produced in the workshops of Rome and Ostia, evidence of local examples may... more
In keeping with modern research, this contribution analyses the production of sarcophagi in imperial times in Beneventum. In spite of the presence of sarcophagi produced in the workshops of Rome and Ostia, evidence of local examples may have been found in Beneventum.
This paper aims at shedding some new light onto this local
production of marble and limestone and will focus, in
particular, on those patrons who had chosen the figurative
themes. With the support of these observations, it
has been possible to analyse the link between the areas
where the Campanian marmorarii were operative.
There is a typographical error in the footnote 14 (correct version):
EphEp VIII 344: D(is) M(anibus) / C(aio) Insteio / Maximo / vixit ann. XX / mens. VIII /Munatius Hilari/anus. fratri mer(enti). H. Herdejürgen date this sarcophagus to 150-160, but this dating is in stark contrast with the fact that Munatius Hilarianus, brother of the deceased, is honored in 194 (IGIt I 44).
This paper aims at shedding some new light onto this local
production of marble and limestone and will focus, in
particular, on those patrons who had chosen the figurative
themes. With the support of these observations, it
has been possible to analyse the link between the areas
where the Campanian marmorarii were operative.
There is a typographical error in the footnote 14 (correct version):
EphEp VIII 344: D(is) M(anibus) / C(aio) Insteio / Maximo / vixit ann. XX / mens. VIII /Munatius Hilari/anus. fratri mer(enti). H. Herdejürgen date this sarcophagus to 150-160, but this dating is in stark contrast with the fact that Munatius Hilarianus, brother of the deceased, is honored in 194 (IGIt I 44).
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"This work talk about a Roman Imperial Sarkophagus, reused in Salerno Cathedral since Medieval Age. The marble discovered in 1932 after the publication of Delbrueck. The quality of the marble and the type of decoration (strigils)... more
"This work talk about a Roman Imperial Sarkophagus, reused in Salerno Cathedral since Medieval Age. The marble discovered in 1932 after the publication of Delbrueck.
The quality of the marble and the type of decoration (strigils) suggest an use as a tomb of an Emperor, Hadrian (?), who died in 138 A. D. in Pozzuoli. It is possible that this marble came from his imperial tomb in Puteoli or from Rome."
The quality of the marble and the type of decoration (strigils) suggest an use as a tomb of an Emperor, Hadrian (?), who died in 138 A. D. in Pozzuoli. It is possible that this marble came from his imperial tomb in Puteoli or from Rome."
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This article appeared in February 2012 on the monthly magazine L'Espresso Napoletano, ed. ROGIOSI
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"Apollo in Bronzo da Salerno; Apollo' bronze statue; Rilievo con nave caudicaria (codicaria)-tipo Isis Geminiana; relief with a scene of discharge from a ship as Is Geminiana; Statua di Venere con delfino; Venere marble statue; Vasca... more
"Apollo in Bronzo da Salerno; Apollo' bronze statue;
Rilievo con nave caudicaria (codicaria)-tipo Isis Geminiana; relief with a scene of discharge from a ship as Is Geminiana;
Statua di Venere con delfino; Venere marble statue;
Vasca con scene di viaggio; a fountain or urn with scenes of travel"
Rilievo con nave caudicaria (codicaria)-tipo Isis Geminiana; relief with a scene of discharge from a ship as Is Geminiana;
Statua di Venere con delfino; Venere marble statue;
Vasca con scene di viaggio; a fountain or urn with scenes of travel"
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"This abstract shows unknown monumental grave from Avella in Campania, that is a part of an unpublished roman necropolis ongoing research. The grave is 11 meters high and is compared to the most famous architectural model of the so-called... more
"This abstract shows unknown monumental grave from Avella in Campania, that is a part of an unpublished roman necropolis ongoing research. The grave is 11 meters high and is compared to the most famous architectural model of the so-called ‘Conocchia’ in Santa Maria Capua Vetere. Both of them could be the product of the same workshops, working in the Campania hinterland between the end of the Republic period and Augustan period."
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Roman spolia-Torcularia-Sant'Agata dei Goti (Benevento)-Campania-Italia
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This article appeared in October 2011 on the monthly magazine L'Espresso Napoletano.
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13-14.12.2018 Seminario Interdisciplinare Il ritorno degli dei pagani: testi e immagini a confronto, a cura di F. Rausa
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in La cripta di San Felice vescovo e martire nell'Insula episcopalis di Nola (MIBACt, Curia vescovile di Nola)
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Research Interests: Ancient Topography (Archaeology), History of architecture, Restauro Archeologico, Capua, Representation of ancient architecture (technical and pictoresques drawings), and 4 moreConservazione e restauro, Latin literature (late antique, medieval, and modern); medieval saints, History of Ancient Architecture, and Drawings after the Antique
in CRPA XV, Graz 2017
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in L'antichità nel Regno. Archeologia, tutela e restauri nel Mezzogiorno preunitario, eds. Carmelo Malacrino, Angela Quattrocchi, Riccardo Di Cesare (26, 29 Aprile 2017, Reggio)
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in International Conference “Theatroeideis. Images of city, city of images” Bari, Dipartimento di Scienze dell’Ingegneria Civile e dell’Architettura (DICAR) 15-16-17- giugno-Bari, Castello Svevo This paper analyses the role of Roman... more
in International Conference “Theatroeideis. Images of city, city of images”
Bari, Dipartimento di Scienze dell’Ingegneria Civile e dell’Architettura (DICAR) 15-16-17- giugno-Bari, Castello Svevo
This paper analyses the role of Roman Imperial marble collection of some buildings in Naples of XV century. It consists of many masterpieces, fortunately preserved in original state and in unusual architectural context. The author propose a study of archaeological profile of Roman spolia employed between the beginning and the end of the Fifteenth century. The elements were chosen with an erudite interlacement of encomiastic nature by the owners. The research is divided in two layers: the first reflects the archaeological analysis of marble sculptures; the second relates the relationship between the reuse of the Ancient and the revival of architecture of Roman and Svevian type in Naples of Renaissance. (IN PRESS)
Bari, Dipartimento di Scienze dell’Ingegneria Civile e dell’Architettura (DICAR) 15-16-17- giugno-Bari, Castello Svevo
This paper analyses the role of Roman Imperial marble collection of some buildings in Naples of XV century. It consists of many masterpieces, fortunately preserved in original state and in unusual architectural context. The author propose a study of archaeological profile of Roman spolia employed between the beginning and the end of the Fifteenth century. The elements were chosen with an erudite interlacement of encomiastic nature by the owners. The research is divided in two layers: the first reflects the archaeological analysis of marble sculptures; the second relates the relationship between the reuse of the Ancient and the revival of architecture of Roman and Svevian type in Naples of Renaissance. (IN PRESS)
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Lo sviluppo identitario della città di Teano nei secoli, attraverso le testimonianze archeologiche e artistiche e le memorie letterarie ed epigrafiche è il tema del colloquio. Quest'appuntamento giunge in occasione della stipula di un... more
Lo sviluppo identitario della città di Teano nei secoli, attraverso le testimonianze archeologiche e artistiche e le memorie letterarie ed epigrafiche è il tema del colloquio. Quest'appuntamento giunge in occasione della stipula di un accordo di partenariato promosso dalla cattedra di Archeologia Classica dell'Università di Napoli Federico II impegnata con gli allievi del corso di Archeologia e Storia dell'arte classica in attività didattiche presso il sito di Teanum Sidicinum, in collaborazione con l'
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in LA CITTÀ, LA CATTEDRALE ROMANICA E L'ANTICO. TeANUm Sidicinum. Nuove prospettive per lo studio della città e della sua storia (Teano, 22 Gennaio 2016, Museo Archeologico, Sala del Loggione) Lo sviluppo identitario della città di Teano... more
in LA CITTÀ, LA CATTEDRALE ROMANICA E L'ANTICO. TeANUm Sidicinum. Nuove prospettive per lo studio della città e della sua storia (Teano, 22 Gennaio 2016, Museo Archeologico, Sala del Loggione)
Lo sviluppo identitario della città di Teano nei secoli, attraverso le testimonianze archeologiche e artistiche e le memorie letterarie ed epigrafiche è il tema del colloquio. Quest'appuntamento giunge in occasione della stipula di un accordo di partenariato promosso dalla cattedra di Archeologia Classica dell'Università di Napoli Federico II impegnata con gli allievi del corso di Archeologia e Storia dell'arte classica in attività didattiche presso il sito di Teanum Sidicinum.
Lo sviluppo identitario della città di Teano nei secoli, attraverso le testimonianze archeologiche e artistiche e le memorie letterarie ed epigrafiche è il tema del colloquio. Quest'appuntamento giunge in occasione della stipula di un accordo di partenariato promosso dalla cattedra di Archeologia Classica dell'Università di Napoli Federico II impegnata con gli allievi del corso di Archeologia e Storia dell'arte classica in attività didattiche presso il sito di Teanum Sidicinum.
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Roman Imperial Sarcophagi of Teano: old and new data on regional Production. in ARCHEOLOGIA, ARCHITETTURA E STORIA DEL TERRITORIO. TeANUm Sidicinum. Nuove prospettive per lo studio della città e della sua storia (Napoli, 21 Gennaio... more
Roman Imperial Sarcophagi of Teano: old and new data on regional Production.
in ARCHEOLOGIA, ARCHITETTURA E STORIA DEL TERRITORIO. TeANUm Sidicinum. Nuove prospettive per lo studio della città e della sua storia (Napoli, 21 Gennaio 2016, Università di Napoli, Aula Pessina)
The analysis is performed around a number of Roman Sarcophagi produced by local masters between 180 and 200 in the areas of Teano, Capua and Benevento. We can add an unpublished specimen of 'Campanische Girlandensarkophage' of a necropolis in Teano. The lost tomb founded in the XVIII century and known by a report of the excavation and a drawing.
in ARCHEOLOGIA, ARCHITETTURA E STORIA DEL TERRITORIO. TeANUm Sidicinum. Nuove prospettive per lo studio della città e della sua storia (Napoli, 21 Gennaio 2016, Università di Napoli, Aula Pessina)
The analysis is performed around a number of Roman Sarcophagi produced by local masters between 180 and 200 in the areas of Teano, Capua and Benevento. We can add an unpublished specimen of 'Campanische Girlandensarkophage' of a necropolis in Teano. The lost tomb founded in the XVIII century and known by a report of the excavation and a drawing.
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Il fenomeno della sopravvivenza dell’antico a Paestum è un caso eccezionale e ben documentato attraverso le descrizioni e i disegni degli eruditi dei Voyages del Settecento e dei viaggiatori del Grand Tour. Le vestigia dell’antica... more
Il fenomeno della sopravvivenza dell’antico a Paestum è un caso eccezionale e ben documentato attraverso le descrizioni e i disegni degli eruditi dei Voyages del Settecento e dei viaggiatori del Grand Tour. Le vestigia dell’antica Poseidonia furono sconosciute agli studiosi fin quando non si innescò un certo interesse a partire dalla visita di Johann Joachim Winckelmann.
Malgrado il disegno e lo studio dei templi dorici abbia avuto inizialmente un maggiore impatto a causa dell’unicità delle testimonianze architettoniche e della maestosità degli edifici, un’analoga fortuna dovettero avere le antichità romane. Nel lavoro monografico di P. A. Paoli, Rovine della città di Pesto, detta ancora Posidonia = Paesti, qvod Posidoniam etiam dixere, rvdera… Romae 1784, l’autore presenta una raccolta corredata da 45 tavole di grande pregio recanti le vedute, le piante e i prospetti dei tre templi e dell’anfiteatro, una magistrale veduta d’insieme della piana, una pianta della città e le riproduzioni di alcuni sarcofagi sullo sfondo delle rovine della città. Malgrado risulti scorretta la sistemazione dei materiali romani che all’epoca erano reimpiegati a Salerno, colpiscono le raffigurazioni dei rilievi realizzati con grande realismo da artisti specializzati. Questi scenari servivano a avvalorare la tesi che le tombe erano state ritrovate nelle necropoli della piana pestana per essere riutilizzate a Salerno dal Medioevo come fragmenta docta.
In corso di stampa, negli atti del convegno
Malgrado il disegno e lo studio dei templi dorici abbia avuto inizialmente un maggiore impatto a causa dell’unicità delle testimonianze architettoniche e della maestosità degli edifici, un’analoga fortuna dovettero avere le antichità romane. Nel lavoro monografico di P. A. Paoli, Rovine della città di Pesto, detta ancora Posidonia = Paesti, qvod Posidoniam etiam dixere, rvdera… Romae 1784, l’autore presenta una raccolta corredata da 45 tavole di grande pregio recanti le vedute, le piante e i prospetti dei tre templi e dell’anfiteatro, una magistrale veduta d’insieme della piana, una pianta della città e le riproduzioni di alcuni sarcofagi sullo sfondo delle rovine della città. Malgrado risulti scorretta la sistemazione dei materiali romani che all’epoca erano reimpiegati a Salerno, colpiscono le raffigurazioni dei rilievi realizzati con grande realismo da artisti specializzati. Questi scenari servivano a avvalorare la tesi che le tombe erano state ritrovate nelle necropoli della piana pestana per essere riutilizzate a Salerno dal Medioevo come fragmenta docta.
In corso di stampa, negli atti del convegno
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in Iconographie du quotidien dans l’art provincial romain. Modèles régionaux. XIV COLLOQUE INTERNATIONAL SUR L'ART PROVINCIAL ROMAIN
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This work examines how Roman marble were reused into religious and civil buildings beetween the IVth-Xth / XIth-XVth centuries in some centers of Campania. The aims of this research were threefold: I. to establish a corpus around the... more
This work examines how Roman marble were reused into religious and civil buildings beetween the IVth-Xth / XIth-XVth centuries in some centers of Campania. The aims of this research were threefold: I. to establish a corpus around the spolia of old centers of Campania. II. to ...
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Seminari su Studio, fortuna e memoria dell'Antico dal Medioevo al Novecento
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Seminario «Studio, fortuna e memoria dell’Antico dal Medioevo al Novecento» I° ciclo di incontri a cura di Federico Rausa (a.a. 2015/2016)
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Research Interests: Classical Archaeology, Roman Epigraphy, Ancient Mosaics, Ancient Topography (Archaeology), Ancient jewellery, and 6 moreSpolia, Classics: Ancient History and Archaeology, Roman Architecture and Urbanism, Architectural terracottas, Architecture of ancient theaters, and Agiografia Italia Centro-meridionale
We invite the submission of the proposals for poster presentations at the international conference ‘TEANUM SIDICINUM. NUOVE PROSPETTIVE PER LO STUDIO DELLA CITTÀ E DELLA SUA STORIA’-'TEANUM SIDICINUM. NEW PERSPECTIVES FOR THE STUDY OF THE... more
We invite the submission of the proposals for poster presentations at the international conference ‘TEANUM SIDICINUM. NUOVE PROSPETTIVE PER LO STUDIO DELLA CITTÀ E DELLA SUA STORIA’-'TEANUM SIDICINUM. NEW PERSPECTIVES FOR THE STUDY OF THE CITY AND ITS HISTORY' which will be held in Teano and Naples on the 21th-22th January 2016. It is possible to present specific case studies about the archaology and history of the center of Teano. Proposals should be submitted as A0 format (.pdf o .pptx), written in English, French, Italian, Spanish or German with a maximum of 6 images and sent by the 10th of January to the organizing committee. Decision for accepted proposals will be notified in the forthcoming weeks. All of poster presentations will be included in the Conference Proceedings.
Scientific committee: prof. Giuseppe CAMODECA (University of Naples L’Orientale), prof. Stefano DE CARO (ICCROM); prof. Federico RAUSA (University of Naples Federico II), dott. Antonio SALERNO (MIBACt-Soprintendenza Archeologia Campania), arch. Alfredo BALASCO (MIBACt-Soprintendenza Archeologia Campania), dott.ssa Angela PALMENTIERI (University of Naples Federico II)
Organizing committee: prof. Federico Rausa (Federico.rausa@unina.it); dott.ssa Angela Palmentieri (angela.palmentieri@unina.it)
Scientific committee: prof. Giuseppe CAMODECA (University of Naples L’Orientale), prof. Stefano DE CARO (ICCROM); prof. Federico RAUSA (University of Naples Federico II), dott. Antonio SALERNO (MIBACt-Soprintendenza Archeologia Campania), arch. Alfredo BALASCO (MIBACt-Soprintendenza Archeologia Campania), dott.ssa Angela PALMENTIERI (University of Naples Federico II)
Organizing committee: prof. Federico Rausa (Federico.rausa@unina.it); dott.ssa Angela Palmentieri (angela.palmentieri@unina.it)
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La giornata dell’Archeologia, del Patrimonio Artistico e del Restauro è organizzata ad Avella secondo un percorso di visita che partendo dai Monumenti romani della necropoli monumentale occidentale, in località Casale, toccherà i più... more
La giornata dell’Archeologia, del Patrimonio Artistico e del Restauro è organizzata ad Avella secondo un percorso di visita che partendo dai Monumenti romani della necropoli monumentale occidentale, in località Casale, toccherà i più importanti monumenti di Abella per concludersi all’Anfiteatro, fulcro del parco archeologico urbano. Durante l’itinerario archeologico si potranno osservare una serie di testimonianze che documentano le principali fasi di occupazione di Abella d’età augustea, esibite attraverso una ricca documentazione di iscrizioni, resti di edilizia pubblica e privata, sculture in marmo che hanno consentito di ricostruire la topografia e la storia della città romana.
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Laboratorio di archeologia presso il sito di Capua (10 H) a.a. 2016/2017
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FLOWS IN ITINERE, un progetto a cura di arch. Pietro Storti, prof. Federico Rausa, prof. Armando Cartenì, che si rivolge ad un pubblico di giovani e di adulti, intende proporre al visitatore il confronto tra il viaggio nel passato e... more
FLOWS IN ITINERE, un progetto a cura di arch. Pietro Storti, prof. Federico Rausa, prof. Armando Cartenì, che si rivolge ad un pubblico di giovani e di adulti, intende proporre al visitatore il confronto tra il viaggio nel passato e quello del futuro: il primo mediante la diretta esperienza di conoscenza delle tecniche e delle finalità degli antichi assi viari, il secondo attraverso l’applicazione delle più attuali risorse della tecnologia digitale funzionali ad un’esperienza di viaggio migliorata dall’applicazione del principio dell’intermodalità e posta in stretta relazione con il patrimonio artistico e culturale della città e con tutte le possibilità di fruizione. L’allestimento curato per Futuro Remoto permette al pubblico di sperimentare in prima persona un progetto pensato per chi si avvicina a Napoli per studio, lavoro o turismo, e che ha l’obiettivo di facilitare la mobilità all’interno dell’area metropolitana utilizzando tutte le forme di trasposto pubblico disponibili, mettendole in stretta relazione con il patrimonio artistico e culturale della città e con tutte le possibilità di fruizione.